Ring Those Christmas Bells - by Joylene M. Bailey

I love Christmas carols. I love how, for about 6 weeks of the year, believers and non-believers alike are singing praises and glo-o-o-o-o-oooo-o-o-o-o-oooo-o-o-o-o-ooorias.

Secular radio stations are dashing through the snow to deck the halls, asking Santa Baby for yachts and diamond rings, and wondering how on earth Grandma could get run over by a reindeer. 

But they are also proclaiming Therefore, Christian men, be sure, wealth or rank possessing, ye who now will bless the poor, shall yourselves find blessing.

                                           And

O morning stars, together proclaim the holy birth! And praises sing to God the King, and peace to men on earth.

And

O come let us adore Him, Christ the Lord.

Even Charlie Brown sings “Glory to the newborn King”!

What kind of weird and wonderful world IS this?? That Christ’s name should be heard and sung by people who haven’t yet grasped the miraculous idea of God’s precious life-giving, soul-saving gift.

It makes me wonder as I wander, and giggle like a babe in Toyland.

Yet some could say that it isn’t the most wonderful time of the year, 2015. It’s not a yum-yummy world made for sweethearts. They would agree with Henry Wadsworth Longfellow’s words, “There is no peace on earth, I said”.

 When Longfellow penned the words to his poem “Christmas Bells” on December 25, 1864, he was still grieving the death of his wife, Fanny. She had been fatally burned in an accident 3 years before, on the very same day that the first shot of the American Civil War was fired. In 1862 his journal entry for Christmas Day reads, “ ‘A merry Christmas’ say the children, but that is no more for me.”

In 1863 he learned that his oldest son, Charles, had been severely wounded in battle.

So in 1864, Longfellow’s world was not at peace either, and hadn’t been for years. What’s more, he had been personally affected by the war.  

He wrote seven stanzas to his poem that Christmas Day in 1864. Two of them are never sung in our version of “I Heard the Bells on Christmas Day” but I think they are important to include because they give us a good idea of Longfellow’s world, which strikingly parallels our own. They help us to understand why he said, “there is no peace on earth”, and to remind us that “God is not dead, nor doth He sleep”.

In our writers group this month we were challenged to write a new verse to a favourite Christmas carol. 

(I encourage my fellow Inscribers to try this fun exercise.)

The words “there is no peace on earth, I said” resonated so much with me that I did some research on the song and then added my own verse at the end – my proclamation in response to the stanzas before it.

Christmas Bells


(Longfellow’s original poem, complete with all seven stanzas, and an extra one added at the end by Joylene M. Bailey)



I heard the bells on Christmas Day


Their old familiar carols play,


And wild and sweet


The words repeat


Of peace on earth, good-will to men!




 

And thought how, as the day had come,


The belfries of all Christendom


Had rolled along


The unbroken song


Of peace on earth, good-will to men!




Till, ringing, singing on its way,


The world revolved from night to day,


A voice, a chime


A chant sublime


Of peace on earth, good-will to men!




Then from each black accursed mouth


The cannon thundered in the South,


And with the sound


The carols drowned


Of peace on earth, good-will to men!




It was as if an earthquake rent


The hearth-stones of a continent,


And made forlorn


The households born


Of peace on earth, good-will to men!




And in despair I bowed my head;


"There is no peace on earth," I said;


"For hate is strong,


And mocks the song


Of peace on earth, good-will to men!"




Then pealed the bells more loud and deep: 


"God is not dead; nor doth he sleep!


The Wrong shall fail,


The Right prevail,


With peace on earth, good-will to men!"

Now let me gather up my faith.

My God’s at work; His love is great.

Loud let bells ring,

And I will sing,

Of Peace on earth, good-will to men!

God is not dead, nor doth He sleep. He’s still at work. He’s still Love. He’s still in charge.

So rest ye merry, Inscribers, let nothing you dismay. Remember, Christ, our Saviour, was born upon this day: to save us all from Satan’s power when we were gone astray.

O tidings of comfort and joy, comfort and joy.

O tidings of comfort and joy.

Victorian Carolers

photo credit: <a href="http://www.flickr.com/photos/10199807@N00/5198987752">Holland Christmas Open House</a> via <a href="http://photopin.com">photopin</a> <a href="https://creativecommons.org/licenses/by-nc-nd/2.0/">(license)</a>

Charlie brown

http://thefw.com/files/2011/12/a-charlie-brown-christmas1.jpg

Longfellow

photo credit: <a href="http://www.flickr.com/photos/28567825@N03/3429414720">Henry Wadsworth Longfellow</a> via <a href="http://photopin.com">photopin</a> <a href="https://creativecommons.org/licenses/by/2.0/">(license)</a>

Carolers

http://o.aolcdn.com/photo-hub/news_gallery/6/9/695353/1290190475673.JPEG

TINKLE AND CLANG — Lynda Schultz

A flurry of discordant sound announced the arrival of several sections of the bell choir.

“Move it, you three. You’re late and we haven’t got much time,” chimed the Bell Master from his place on the bottom rung of the carillon.

“Nag, nag, nag,” whispered the D flat to his buddy, C, as they climbed into their places on the top level. “What’s the hurry, anyway? Clang’s got his clapper in a knot for sure this morning.”

“Morning? It’s still dark outside,” protested the F major, breathlessly hauling himself up behind the others.

The smaller bells finally got themselves into place, just as Clang struck the note that indicated readiness and silence in the ranks. He looked around, carefully checking to make sure no one was missing. Worse than a faulty note was no note at all.

“Where’s Tinkle?” he boomed from his assigned spot.

Tinkle was the littlest bell of all. Her spot was high up at the top of the carillon.

Like an evil wind brushing through the tower, the rustle of the bells created dissonance as everyone looked around, hunting for Tinkle.

“I’m here sir. Just polishing, Bell Master.” Her clear, high sound rang out as Tinkle took her place at the apex of the musical arrangement.

“That girl takes herself too seriously. ‘Just polishing, Bell Master.’ As if fingerprints made any difference to anyone,” mimicked the D flat.

“You have something to share with us?” came Clang’s voice from down below.

Everyone froze. More than once Clang had said out loud that he wished they never had to have contact with their human counterparts—the evil always rubbed off a bit, like fingerprints on the burnished surface of a bell.

“Uhmmmmm, no sir. I was just, well, wondering what all the rush was about,” stuttered the offender. “It’s not even daylight yet.”

“Well, if—and I know keeping time for you doesn’t usually include knowing what day it is—you had been paying attention during rehearsals, you would have remembered that dawn today is the biggest moment of our year. Today we bring hope to the world.”

From somewhere in the middle of the bevy of bells came the dulcet tones of one of the G’s. “But, boss, do you really think anyone listens to us? It’s nasty out there. Everyone knows what happened to poor Liberty. Those humans are a mean lot and we don’t seem to be making much of an impact.”

There were a couple of chuckles from the group at G’s unintentional play on notes. The subdued merriment stopped as Clang’s clapper sounded for silence.

“I’ll admit that I sometimes have my doubts as to whether anyone gets our message, but that’s not the point. The point is that we have a message that we have been assigned to deliver, we’ve been practicing faithfully for this last year, and we are going to chime out that message no matter what. It’s up to the Master Musician to do the rest. So, are we ready? It’s almost time.”

The bell choir stirred, positioning themselves, clappers at the ready, all eyes on Clang.

“Tinkle?”

“Yes, sir?”

“Don’t forget, your part is critical. Sometimes people don’t hear the high notes, so you can’t hesitate or show weakness.”

“I won’t let you down, sir.”

Slowly the blackness outside the tower retreated before the insistence of the watery light of a winter sun. As it peeked above the horizon, Clang readied himself, gave the choir one last check, and nodded to Tinkle.

The high, light sound rang out loud and clear, followed by a rolling scale of melodious notes that reverberated across the awakening town.

Far below the tower, in the manse beside the church, a pastor looked up from his prayers. He had wrestled all night with his Christmas morning message. What could he say that would bring hope to a world where evil ruled man's heart, where even Christmas was banned with an “X”? How could he make sense of a world where, in the name of preserving peace, war was wrought?

He listened, remembered, and smiled. Hope was in God’s final note—which had yet to be played.

*************** 

And in despair I bowed my head/There is no peace on earth I said/For hate is strong and mocks the song/Of peace on earth, good will toward men/

Then peeled the bells more loud and sweet/God is not dead nor doth he sleep/ The wrong shall fail, the right prevail/Of peace on earth, good will toward men./ (from: “I Heard The Bells On Christmas Day”)