Joists—Characters of Strength By T. L. Wiens

My renovation project is moving forward. I reached the point where I needed to remove a load bearing wall. There’s a lot of work to be done before you start swinging the sledge hammer on this particular job.
First, we opened the wall to expose the complications it would present. Heating ducts and electrical greeted us. These were easy fixes. We rerouted the circuit for the electrical and removed the ducts which we planned to relocate anyway. Everything was going along fine.
We built temporary support walls on either side of the load bearing wall. These would serve as supports until we got the beam in place. That’s when things got complicated.
Upon closer inspection, we discovered whoever put the duct work in, removed a large chunk of the joist beneath the floor. To add to the issue, the main heating duct line was directly below so we didn’t have access to the joist from the basement. A simple job just became quite complicated.
We had no choice but to remove the basement duct work that would later have to be rerouted. Then we had to fix the broken joist. Because of the weight this particular area would be bearing once everything on the main floor was finished, we set in a post to support the now repaired joist. With all that done, it was easy to get the beam in place.
What does all this have to do with writing? For me, the joists and wall studs of a book are the characters. Main characters need to be well built, holding the plot together; the joists of the structure. Minor characters are more like the wall studs, also important but they can be moved and changed with a lot more ease than a joist.
Like the house, a weak main character will put the entire structure in jeopardy. As writers, we need to make sure we have this part of our book working well. It’s funny how a poorly developed main character can cause a minor character to bend and bow the structure of a book. Sometimes we have to go back and rewrite, restructure our characters.
For me, characters often develop as I write. Most of my early manuscripts have at least four chapters that will never see print. They’re my character development stage.
I do other things to develop characters like in depth character sketches. I like to use some of my video games—usually my Wii and put a real face on these people. Or I’ll look at images on the internet until I find the look I’m going for. To have a visual helps me to see other characteristics like facial expressions.
Most writers, myself included have a purpose when we write. We fall in love with certain events. But sometimes our characters don’t fit the actions. There’s nothing worse than a book where suddenly the shy quiet main character becomes some party animal for one chapter and one chapter only. Worse is if there’s not any given reason for the change. I’ve come to understand the stories I write aren’t really about my wants for the plot but rather learning to listen to the characters to develop my theme.
When you have strong joists and well built walls, you have a structure that will stand for a long time. When you build strong main and minor characters in a book and stay true to who they are the plot will almost write itself.

New Explorations in Writing by Sandi Somers

“The real voyage of discovery consists…in having new eyes.”  ~ Marcel Proust

This month’s prompt asks you to explore, traveling in new directions. Perhaps you tend to write in only one particular genre, or in one particular voice and style for a particular audience. This month become an explorer by selecting a genre or a voice/style that you haven’t worked in before (or rarely). Write for a different audience. Do a little research. Then tell us how you saw with new eyes, what you discovered and if you would consider further writing in this genre.

I tried Flash Fiction, and here’s my experiment.

My niece Joelle, a teacher, couldn’t find foam chips to fill large cushions her mom was making for her students. She had looked everywhere.

“Maybe you’ll just have to drive to the US for some,” I suggested.

“Oh, sure, sure,” she said. “I can just see the customs agent checking through all those bags for drugs.”

Suddenly I visualized a scene: Joelle at the border as the customs agent, head and arms in the bags, searched through those foam chips. Finally in frustration and without finding drugs, he banged the stamp in her passport and waved Joelle on…with foam chips, unknown to him, all over his face.

“Now if I were a novelist,” I told her, “I would add that anecdote to my novel.”

A short time later while thinking about this month’s blog topic, I decided to write Joelle’s story as flash fiction. I didn’t need to be a novelist to write it.

The story grew as I added incidents from my own experiences and observations at border crossings and airports. And as I had filled figure skating costumes with foam chips before, I knew how full of static they could become.

I enjoyed writing. Similes and hyperbole came easily. The flash-fiction style of dramatic introduction, complications throughout and surprise ending opened my eyes to how I could write more effective scenes in my ongoing writing.

Will I try flash fiction again? Yes, definitely, as I discover other inspiring prompts. Who knows what this may lead to?

And now over to you. I can’t wait to read your experiments and discoveries this month.