Whispers of Tissue and Chiffon by Brenda Leyland

 

Me and Little Sis in our velvet and chiffon dresses

The whir of Mom's Singer sewing machine was a familiar sound growing up in the little farmhouse we called home. A young wife and mom, Mom often had some sewing project under construction—garments for her growing family, draperies, craft projects, bridesmaids dresses, quilts, etc. Of all the things she sewed, my favourites were the Christmas dresses she made for me and my sisters.

With the approach of December a sense of anticipation would begin to fill the air. Mom would study the Eaton's and Sears catalogues looking for ideas of what to make. Then came the time for Mom to visit the fabric store. Sometimes we tagged along with her; I always loved that starchy smell that greeted us when we walked into the store. Amazed at the bolts upon bolts of fabric in every colour and weight in tidy rows from floor to ceiling. Not to mention the dazzling array of buttons, ribbons, and laces. The cabinets were bursting with patterns... the possibilities seemed endless. There was so much to look at—but please don't touch—that we were rarely bored while Mom sat studying patterns, musing over  fabrics and colours, feeling this cloth and then that one. Should it be floral or plain? Satin, jacquard, or velvet? This shade of evergreen or that holly red?

Back at home, the big day arrived. The kitchen table was cleared. Amid scissors, tape measure, and stick pins, sheets of ecru tissue rustled as each pattern piece was carefully laid out on the fabric. Putting it this way and that way to find the best fit before pinning it down. There'd be that moment of slight tension—just before Mom made that first scissor snip through tissue and fabric. Before long, threads and fabric bits littered the floor, and there'd be the hot whoosh as the iron pressed damp cloth against newly sewn seams.

Trying on the dresses while some seams were still held together with stickpins created a balancing act. Arms held over our heads, Mom gently slipped the emerging garment over our shoulders. My little sisters and I would try not to wiggle, turning s-l-o-w-l-y like a stiff mannequin atop a chair, while Mom adjusted seams and checked hems for length. Finally all the pins were gone and we stood in our finished dresses. One last twirl. The wonder as we stared in the mirror. It was such a proud moment to stand in our newest finery on Christmas Eve with our Sunday school class, reciting mostly memorized verses and warbling partly familiar carols.

Many holiday outfits passed beneath the pressure foot of that old sewing machine. The holly red velvet dress trimmed with lace, the swirly skirted green taffeta with three-quarter sleeves, a jacquard textured royal blue shift offset by a white pleated organdy collar (a bit reminiscent of those Queen Elizabeth I fancy collars in her 16th century portraits—not that I knew anything about her in those days). And of all the dresses made through the years, it was the pretty peacock blue velvet with a skirt of whispering chiffon that ended up being my forever favourite outfit of my early childhood.

No matter how many Christmases come and go, recollections of pretty handmade dresses and annual concerts in the old country church are as carefully bundled in filmy memories as any treasured holiday ornament. The wonder of it all is that these gifts of love were wrapped in the celebration of the One who came to express the love of a generous God to our world. Who would have thought that the whisper of tissue paper on velvet would echo that great love to three little girls?

Photo above from the family archives

Growing up Brenda could never decide whether it was her birthday or Christmas Eve that was her most favourite day of the year. Some things never change, she still can't decide. She enjoys writing on her blog It's A Beautiful Life and here on InScribe. She can also be found on Facebook and Instagram.